David Hockney, Henry Moore Much Hadman 23rd July 1982. Composite Polaroid.
When presented within multiple images on a single surface, we must feel the movement, complete the action, or anticipate the next event. We use our imagination to connect static images to create the illusion of motion. As an object moves, it sequentially occupies various positions in space.
Thomas Eakins, Double Jump, 1885. Modern print from a dry-plate negative.
Multiplication can also play a role in visual storytelling.
George Tooker, Government Bureau, 1956. Egg tempera on gesso panel.
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